The Girl

Alison got into the shower late. Mom was shopping, Dad was watching the younger kids. Ali heard the screaming, but she put it all down to Dad's roughhousing--until she stepped out of the bathroom and got the shock of her young life.

A year later, Ali and her mom are starting over--again. She hasn't yet recovered from the dark turn her life has taken, and doesn't know if she ever will. Then there's that pesky little detail--she's seen the face of a murderer and doesn't know if he will let her live long enough to graduate high school.

Honestly, all I did was take a shower today and this story hit me. What would this do to a young girl? How would she pull out of it? What are the immediate after-effects? By the time I get to bed tonight, I'll have a rough draft of the details all ironed out.

As if I don't have enough to do, writing-wise. Lately, my strong suit has been ideas. I've been getting them in spades--some good, others not so much--but they don't stop coming. I take notes and put them aside. If the story seems strong enough, I'll pick it up at a later date. There are some details that might change, but that standard life-or-death struggle is something that readers never seem to tire of.

What is your writing strength? Are you a plotter? A pantser? Do you love the idea stage, or the rough draft stage, but hate editing? Or are you one of those amazing people who loves the editing stage? Come on, don't be shy. :) Share!

Books Eligible for a 2011 Whitney Award

Bitter Blessings by Christine Mehring

After Megan lost her father her family became a separate thing, cut off from other people.

Her suspicious grandmother insisted that Megan and her sisters "keep themselves to themselves." Her mother worked long hours and was too tired to argue. They moved often, drifting, rootless, until Tucson.

The warm desert sun suited her mother and for the first time it seemed they would have a home and a stable life.

Then, one normal summer day, when Megan's friends were getting ready to start their senior year, a freak accident took her mother and Megan found herself desperately trying to hold her family together.

With her grandmother and sisters lost in their own grief, it's left to Megan to sort through the past and find a path to the future, but when a small insurance detail uncovers a devastating family secret, making the people she loves into strangers, will she find anyone she can trust before it's too late?

Alias by Mandi Tucker Slack

Jacey Grayson is an average, young, divorced mother struggling to build a new life for her son, Blaze.

But when the FBI discloses some disturbing information about her ex-husband, Jacey's life becomes anything but average.

At the risk of losing her identity, her future, and her heart, Jacey and Blaze flee to Utah, hoping to hide and start over once again. But no matter how far she runs or who she pretends to be, her past is always lurking nearby, bringing old fears with it.

Thrilling action and a suspenseful plot make this novel an edge-of-your-seat-read.

The Last Archangel by Michael Young

Xandir has been exiled to earth until the end of time.


But when his cherub trainee disappears, Xandir makes a deal with rogue angels and giants that could restore life to the mortal woman he loves and end his assignment as a destroying angel in exchange for helping them bring about the end of the world and all of mankind.





 

Wings of Light by Laura Bingham
 
Becoming immortal isn't everything they thought it would be.
 
Sixteen-year-old Erin and her twin brother, Bain, chose to leave their normal lives, step into the magical world, and become immortal elves.
 
But when it comes to falling in love and solving mysteries, all the magic in the world doesn't seem to help.




 

Carving Angels by Diane Stringam Tolley  
Papa Adam, the North Pole's oldest elf and Santa's former chief carver, has given up.
 
Blind, frail, and useless, he counts the minutes in every day as he waits to die.
 
But a challenge to carve, given by his youngest granddaughter, reawakens Papa Adam.
 
Together they prove that the most paralyzing thing you can do is underestimate or undervalue anyone, especially yourself. With the right love and encouragement, anything is possible.

Amazon Scares Publishers

                                                                    By Trina Boice
                                                                www.trinaboice.com

In publishing news today....

Amazon will soon be competing with the publishing houses that supply it.  The giant company is set to publish 122 books this fall in both physical and e-book form. Amazon has signed deals already with self-help author Tim Ferriss and film director Penny Marshall, and is said to be aggressively targeting top authors.

 “Publishers are terrified and don’t know what to do,” says Dennis Loy Johnson of Melville House. Amazon has hired publishing veteran Laurence Kirshbaum to run the operation, which will publish both fiction and nonfiction.

LDS Fiction: The Minor Leagues?

A few short decades ago, I was serving as a missionary in southern Illinois with three other elders. On one particular P-day (excuse me--PREPARATION day) we were cleaning our apartment and listening to some music.

Our mission rules allowed us to listen to "church music" on Sundays and P-days, and while some guys I knew interpreted that to mean "music by anyone rumored to have talked to a missionary," we stuck to the more traditional groups like Afterglow and the Tabernacle Choir.

I don't remember which contemporary (ca 1988) musician we were listening to that day, but the new elder in our group soon got a little irritated and said, "Can we please turn that garbage off?"

"What's wrong with it?" I asked.

"Oh, please. I can't stand any of those guys. It bothers me that they're just trying to make a buck off of the church, and the only reason they're singing LDS songs is they're not good enough to make it in the real music industry."

The rest of us didn't agree, but to preserve peace we switched to some classics by the Mormon Youth Symphony, since Beethoven's "real music industry" success is pretty much indisputable.

Fast forward to the 21st century, and my foray into LDS literature. While I have never agreed with this missionary's opinions, those thoughts were always in the back of my mind as I worked on the early drafts of "Bumpy Landings." Am I just trying to make a buck off of the church? Am I not good enough for the national market?

Lately, I've seen a similar discussion questioning whether or not the LDS literary market is some kind of "Minor League", which implies that those who write LDS fiction somehow aren't good enough to make it in the real literary industry.

I've thought about this question a lot: Is LDS fiction the minor leagues of writing? I've decided that the answer is no. And maybe.

The reason there are two answers to this question is that what we call the "LDS Market" is in fact two different markets, both closely related and serviced by the same few publishers.

The "traditional" LDS market--books where being (or becoming) LDS is central to the story--are very popular within the church but have no real interest in the broader market. LDS fiction is a niche, and as such fills a need ignored by the national market.

As for whether or not they are any good, LDS books, just like their national counterparts, fall along a broad spectrum of quality, with the best of LDS fiction easily in the top tier. And the books are getting better and better every year, thanks to an excellent LDS writing community that supports, educates, and motivates its members through conferences and awards for excellence.

In addition to traditional LDS-themed fiction, LDS publishers also sell works that have little or no connection to Mormon life. These titles are considered "regional," rather than "niche." Where a niche publisher focuses on an audience that has specific religious/cultural/recreational interests, a regional publisher focuses on an audience in a specific geographical region.

These regional publishers are often willing to take a chance on unknown writers. Combining this fact with their smaller size, limited marketing budget, and more modest sales numbers, it's easy to understand why regional publishers are often referred to as the Minor League of publishing.

All around the country, there are local authors writing and publishing books with local flavor through these regional publishers. The same is true for the Intermountain West, only here the regional publishers are the same companies that publish for the LDS niche.

This is why LDS publishing is sometimes seen as a stepping stone for authors looking to break in nationally. Recent years have seen a number of high-profile writers make this transition: Ally Condie, James Dashner, Rob Wells, and Jeff Savage, just to name a few. Even the LDS publishers are looking to grow nationally, with the Shadow Mountain imprint at Deseret Book, and CFI calling for more national-market submissions.

This is an exciting transition, and it's fun to see local friends and authors make good on the national scene.

But don't assume that since some authors have honed their skills by writing LDS fiction and then moved on nationally, that this is the purpose of the LDS market, or the goal of all LDS writers.

Many authors I know write LDS fiction because that is what they love. They would enjoy a national market-sized royalties check, and have the knowledge and skills they would need to break if that's what they wanted. But they love writing LDS fiction, and they are free to write the books they want in the way they want, because their values line up so well with those of their readers. They write LDS fiction because they can.

LDS fiction is kind to beginners, and provides a great place to learn and develop excellent writing skills. But it also provides a valuable product to hundreds of thousands of readers, and those who make LDS fiction their permanent career can be every bit as satisfied with their success as those who publish nationally.

Perhaps maybe even a little bit more.

Writing a Synopsis

You’ve just written the final word on your novel, and you’ve combed through it no less than 35 times editing, reworking subplots and characters, and you’re ready to submit your manuscript. One thing you may need is a synopsis, or an outline that discloses the plot. Depending on the publisher or agent, the synopsis will vary in length, usually one to two pages.

A synopsis is important to give the agent/editor a disclosure of the plot. They also give a glimpse of your writing style.

When I wrote my second novel, I was surprised at how much time it took for me to make sure every word in my synopsis counted. But it paid off. At least I think it did, because my book did get published. 

But how can a 100,000 word manuscript be squished into two pages? What do you put in? What do you leave out?

A basic outline for a synopsis can be:

1. A brief summary of the beginning of the story.
2. A brief description of the characters and the problems they will need to solve as they go through the book, the basic plot.
3. The obstacles they go through to solve these problems, and climax.
4. Summary of how the story ends, who the bad guy is and all. (Leaving any hanging ends or questions that haven’t been answered doesn’t generate curiosity here.)

It’s important to keep fluff minimal in a synopsis, use an omniscient point of view, and to do the obvious like spelling and grammar checks. It doesn’t hurt to have others look at it and give you feedback. Would they want to read your story based on what you’ve written in your synopsis? Are the characters and plot presented in such a way that it creates interest? If so, then your manuscript may well be on its way to becoming a book in your hands.

The Alias by Mandi Tucker Slack

The Alias by Mandi Tucker Slack is much more than just a “girl power” kind of book. Yes, there is an abused woman who fights back. Yes, she is brave and willing to do anything to protect her son. (What mother isn’t) She is strong but proud, independent but vulnerable. This book has something for everyone: Romance, Action, Intrigue and a development of characters that makes you feel good when you finish. I may not sit down to read a straight romance, but I enjoy the book that successfully involves all of these elements. The Alias is a winner.

The story is centered around a woman who flees her abusive ex-husband and hides out on a Utah ranch. When the FBI locates her to ask questions about her Ex’s business dealings, she realizes she may not be as well hidden as she thought. If the FBI can find her, so can her ex-husband.

The first half of the book develops at a modest pace but Mandi knows how to turn a good phrase and keep the tension high. I need a fast pace to keep from getting bored and Mandi succeeded in keeping my attention, teasing with tension and conflict in every chapter until it ultimately races to its exciting conclusion.

I’m the kind of guy who identifies the ending of a story within the first ten minutes of watching a movie or TV show. (My wife and kids REALLY love that) I ALWAYS know who did it the moment I’m introduced to the character. I recognize a plot twist is coming before it happens. Pretty impressive, huh :>)My keen eye is attuned to these kind of things and while the plot is sometimes predictable the many twists keep you on your toes, guessing, wondering until you reach the satisfying resolution.

Again, this is more than just a “girl power” book for women. Men can definitely enjoy this as well and I recommend it. The Alias is a quick and enjoyable read.
You can purchase The Alias here
You can also order the eBook version for only $3.99 which is a GREAT deal.
and check out Mandi’s Blog Here http://heyyouslackers.blogspot.com/

Literature Turned Into a Vegas Show!

by Trina Boice

www.trinaboice.com

 “Jabbawockeez is the best show I’ve seen in Vegas by far” was what my 16 year old son posted on his Facebook status last night, after seeing their fun show at the Monte Carlo Resort and Casino.  We live in Sin City and my son has seen quite a few shows, so that’s really saying something. 

Even if you don’t have a break-dancing teen in your family, you’re sure to enjoy this world-famous dance crew’s high energy show. (Old folks near the stage will want to wear ear plugs.) Picture comedic mimes doing some of the coolest hip hop dance moves you’ve seen, add some fly costumes designed by Kara Saun, the runner up on Bravo’s “Project Runway” Season 1, and put it all on a hip stage set and you’ve got 90 minutes of good, CLEAN entertainment, perfect for families.

The Jabbawockeez first gained fame in their national television appearance on America's Got Talent in 2006, before winning the MTV hip-hop dance reality series, Randy Jackson Presents America's Best Dance Crew in March 2008. They’re considered to be the ultimate dance crew these days and have inspired countless kids to get out there and bust a move.  Does anyone say “bust a move” anymore or did I just reveal my age?

 While the target audience is most definitely the young club set, we were surrounded by an amused older crowd in the audience as well.  The dancing is accompanied by a spliced mixed tape of sorts that features musical fan favorites and movie audio clips that span several decades, causing the audience to cheer and clap in excited spurts.

The crew’s signature look includes white masks and white gloves, but even without faces, the dancers’ bodies gave effective expression, often communicating with hesitant volunteers from the audience for some delightful comedy sketches.  In fact, the performers don’t take themselves too seriously at all and the show is almost a comedy routine mixed with some impressive flares, locking, popping and dime stopping.

Without a word from the dancers, they were able to weave a faint story throughout the show of how anyone can find their muse (the show’s title “MUS.I.C” is read “Muse I See”.  I’ve seen several Vegas shows start with a janitor sweeping the stage (get in your seat at least fifteen minutes early to enjoy his pre-show antics), but this blue collar Wockee maintains his faceless identity during the whole show and attempts to teach us that anyone can dream big by bringing “the colors of sound” to life.

 One of my favorite sections of the show was a ninja showdown that featured some glow-in-the-dark antics that were fun with the lights off and hilarious when the lights came back on to reveal their secret tricks.  The Jabbawockeez know how to poke fun at Vegas too, dressing up as Elvis, Blue Man Group, Carrot Top, and a show girl.

The original crew consists of seven members: Kevin Brewer, Joe Larot, Phil Tayag, Chris Gatdula, Ryan Paguio, Jeff “Phi” Nguyen, and Ben Chung “B-Tek.” Before being accepted as official members of Jabbawockeez, Jeff and Ben Chung had to participate in a dance battle with one of the three founders.  I did a head count during the Vegas show and soon learned that MTV’s “America’s Best Dance Crew” Season 2 winners Super Cr3w perform nightly with Jabbawockeez, adding some extra athleticism and acrobatics to the show.  In fact, at times there is so much going on the stage that it’s hard to know which performer to focus on.

The name Jabbawockeez is derived from Lewis Carroll’s poem Jabberwocky, briefly alluded to in the show when the janitor starts to read the book and then falls into a dream state.  By the way, don’t sit in the first three rows if fog machines bother you. Although the show started off a little slowly, the packed audience was eager to award the crew with a standing ovation at the end.

And now a few bummers…I talked to several adoring audience members who had their wallets out, ready to buy merchandise before and after the show, but were quickly discouraged by the ridiculously steep prices, leaving the dope signature masks and t-shirts in the store.  I was surprised that the dance crew didn’t take their masks off at the end of the performance like they so often do, and a bit disappointed that they didn’t come outside the theater to greet the audience and take photos.  (I had my Flipcam ready to film them becoming best friends with my son.)

The crew’s success in Vegas means that the show has been extended through spring 2012.  Performances are Thursday at 9:30 p.m., Friday at 9:30 p.m., Saturday at 7 p.m. and 9:30 p.m. and Sunday and Monday at 7:30 p.m.  Tickets start at $52 (plus tax and fees).    For more information, please visit www.jbwkz.com or www.montecarlo.com.